Photo courtesy of the Metropolitan Theater’s official Facebook page Christian John “CJ” S. Serrano, chief administrative officer (CAO) of The Metropolitan “MET” Theater in Manila, gives credit to two institutions for his professional and personal growth as an individual: Far Eastern University (FEU), and UST Central Seminary. “It’s from FEU that I learned to become more independent because from preschool until high school I was studying in a private Catholic school that was n

Before placing fourth in the September Psychometrician Licensure Examination, Kyla N. Palla had already imagined telling her parents that she failed. Despite months of studying, attending review sessions, and answering practice questions, she struggled to meet the passing marks in her pre-board examinations. The experience left her questioning whether or not she was prepared for the actual test. From left to right: Elizabeth Palla (Mother), Kyla Palla and Yolly Palla (Siste

The Metropolitan Theater recently turned its Audio-Visual Room into a creative hub for film buffs, students, and young filmmakers for two sessions on the fundamentals of cinema literacy and visual narrative. Led by Seymour B. Sanchez, professorial lecturer at the Far Eastern University Department of Communication, the event at The MET AVR provided participants with practical framework for analyzing and making cinematic works. The morning session, “Read Between the Frames,” in

Entrepreneurship does not always begin with a big business idea. Sometimes, it starts with a familiar product, a local resource, or a simple question: Can this be turned into something people would value? For Far Eastern University (FEU) Tams, these questions took on a practical meaning during the Entrepreneurial Symposium at the FEUture Center Auditorium last Oct. 5. Organized by the Institute of Tourism and Hospitality Management (ITHM), the symposium carried the theme “M

That custom-designed Far Eastern University Institute of Tourism and Hotel Management (FEU ITHM) logo pin resting on one’s collar is not just a piece of metal—it is one’s official entry ticket into the global workforce. When over 600 freshman-Tamaraws from the FEU-ITHM packed the historic FEU Main Auditorium last Sept. 25 for the annual Pinning Ceremony, they were not just attending another university event. Under the theme “Beyond the Pin: A Journey of Excellence and Prepa

Freedom took on the warm, resonant sound of bamboo as the FEU Bamboo Band presented "MALAYA: Songs of Freedom" last Sept. 26 at the FEU Manila Auditorium. Beginning at 7:26 p.m., the annual concert brought student musicians and guest artists together for an hour of music celebrating Filipino resilience and the hope of a more peaceful world. Presented by the University through the FEU Center for the Arts (FCA), "MALAYA” linked its celebration of freedom with Fortitude, Excel

The FEU Human Resource Division organized a seminar focused on maintaining a drug-free workplace, reinforcing its commitment to employee health, institutional safety, and full compliance with national regulatory standards. Organized to align with Republic Act 9165 (Comprehensive Dangerous Drugs Act of 2002), the seminar gathered non-teaching employees to discuss the legal, structural, and health aspects of drug prevention in the workplace. Carlos Fedelino Valencia, Jr., VP fo

Far Eastern University (FEU) presented concrete policy recommendations to strengthen Manila's proposed Mental Health Ordinance, including the establishment of barangay-level psychosocial support hubs to bring mental health services closer to communities and reduce reliance on city hospitals. FEU's recommendations were presented during a hearing of the Manila City Council's Committee on Laws on October 1, 2026, at the Manila City Hall Session Hall. The hearing reviewed Draft O

Some visitors stood silently in front of the artworks. Others wiped away tears. Inside the Far Eastern University (FEU) Institute of Architecture and Fine Arts (IARFA) Exhibit Hall, Of Angels & Julia was already becoming more than an exhibition. Visitors moved from one artwork to another, pausing to read Julia Buencamino’s poems and the stories behind the pieces. Some were visibly moved as they took in the work. There was no speaker addressing the room anymore. No program was